鄭如玉  副教授


開授課程 Current Teaching

英文、中級英文


專著 Book Edited/Book Chapters

  1. Catherine Ju-yu Cheng. “The Virtual and Affect in Wei Te-Sheng’s Kano.” Cross-Currents of Social Theorizing of Contemporary Taiwan: Self, Culture and Society. Ed. By: Ananta Kumar Giri and Su-Chen Wu. Palgrave Macmillan, 2021. 227-240.

  2. Catherine Ju-yu Cheng. “Catastrophism and Creation in Shinkai Makoto’s Your Name.” Thinking with Animation. Ed. Joff P. N. Bradley and Catherine Ju-Yu Cheng. Cambridge Scholars, 2021. 46-61.

  3. Joff P. N. Bradley and Catherine Ju-yu Cheng. “On the Elemental Forces in Worlds of Shadow and Depth.” Thinking with Animation. Ed. Joff P. N. Bradley and Catherine Ju-Yu Cheng. Cambridge Scholars, 2021. Xix-1.

  4. Catherine Ju-yu Cheng. “Traumatic Texts/Textures in Toni Morrison’s Paradise.” Liminality of Justice in Trauma and Trauma Literature. Ed. By: Pi-hua Ni and Mei-Chuen Wang. Cambridge Scholars, 2023. 153-181.

  5. 鄭如玉,徐冰《天書》中的簡圖與文字宇宙,翻譯德勒茲:詮釋、轉化與創造,李育霖主編。台北:中研院出版,2022183-206


期刊 Journal Papers

  1. Catherine Ju-yu Cheng and Mei-Chuen Wang. “The Cross-Disciplinary Application of CDIO: A Case Study of the DFLL Graduation Performance.” The Journal of NDU General Education, 13 (Sep 2023): 45-60.

  2. Cheng, Ju-yu. “Nature and the Smiths in Hayao Miyazaki’s Princess Mononoke.” Tamkang Review 49. 2 (June 2019): 27-48. (THCI-Core, ACI)

  3. Cheng, Ju-yu. “The Runaway from Hell:Mad/Sacred Space in Doris Lessing’s Briefing for a Descent into Hell.”  Review of English and American Literature (英美文學評論), 32 (June 2018): 45-70. (THCI-CORE)

  4. Cheng, Ju-yu., “Ecological Time in Hayao Miyazaki’s Nausicaä of the Valley of the Wind.” NTU Studies in Language and Literature, No 38 (Dec 2017): 75-100. (THCI-Core)

  5. Cheng, Ju-yu., “From Death to Cosmic Life: On Lessing’s The Making of the Representative for Planet 8.” Tamkang Review, 48.1 (Dec 2017): 1-28. (THCI-Core)

  6. Cheng, Ju-yu. “Death and Event in Wei Te-Sheng’s Seediq Bale.” Chung Wai Literary Quarterly (中外文學) 45.3 (Sep 2016 ): 49-74. ISSN:0303-0849. (THCI-Core)

  7. Cheng, Ju-yu. “Between Virtual Past and Actual Present: Cosmic Memory in Doris Lessing’s Shikasta.” NTU Studies in Language and Literature No. 35 (June 2016): 35-62. ISSN:1018-3914. (THCI Core)

  8. Cheng, Ju-yu. “The Virtual We: The Survivors, the Cities, and the Cosmos in Doris LessingShikasta. Tamkang Review 46.1 (Dec 2015): 117-139. ISSN:0049-2949. (THCI-Core, ACI)

  9. Cheng, Ju-yu. On Subjectivity in Deleuzes The Fold. NTU Studies in Language and Literature No. 17 (June 2007): 79-100. ISSN:1018-3914. (THCI-Core)

  10. Cheng, Ju-yu. Remembering the Ancestors and Goddess as a Healing Process in Toni MorrisonBeloved. Tamkang Review 37.4 (June 2007): 149-163. ISSN:0049-2949. (THCI-Core)

  11. 鄭如玉, 〈吳明益《複眼人》中的創傷與創生記憶〉,《中外文學》,第51卷,第4期(2022):頁83-117(THCI)

  12. 鄭如玉,〈劉慈欣《三體》中的後人類擲骰論〉,《臺大文史哲學報》, 第九十四期 2020):頁121~147 (THCI)


會議論文 Conference Papers

  1. Catherine Ju-yu Cheng, “Haunting, Forgetting, and Healing in Makoto Shinkai’s Suzume,” The Thirteenth Quadrennial International Comparative Literature Conference, Tamkang University, (2023/12/15-16).

  2. Catherine Ju-yu Cheng and Su-Chen Wu. International & Interdisciplinary Conference on Globalization, India, 2023. Theme: Impact on Society, Culture and Education. “The Impact of Globalization on Education in Taiwan.” (2023/1/4-6)

  3. Cheng, Ju-yu. "Co-evolving with the Climate System in Makoto Shinkai’s Weathering with You," 2020 Seventh International Foreign Languages and Literature Teaching Conference at Feng Chia University: Innovation in Theory and Praxis.Feng Chia University. (2020/10/17)

  4. Cheng, Ju-yu. Deleuze / Guattari Studies in Asia: 7th International Conference, Tokyo, 2019. Theme: War Machine, Conflict, Coexistence, University of Tokyo: “The Angel of History in Hayao Miyazaki’s Spirited Away.” (2019/6/21-23)

  5. Cheng, Ju-yu. The 26th Annual Conference of the English and American Literature Association. Theme: Redirection, National Taitung University: 〈劉慈欣《三體》中的後人類擲骰論〉. (2018/10).

  6. Cheng, Ju-yu. The Sixth International Conference at Feng Chia University. Theme: Exploring the Uncharted Territories : “Nature, Smiths and Holey Space in Hayao Miyazaki's Princess Mononoke.”  (2018/10)

  7. Cheng, Ju-yu. The Twelfth Quadrennial International Comparative Literature Conference. Theme: Literature, Life, and the Biological, Tamkang University, New Taipei City, Taiwan. “Catastrophe, Nature, and Creation.” (2017/12) 

  8. Cheng, Ju-yu. The 7th TCLRA international conference. Theme: Children’s and Young Adult Fantasy Literature: Past, Present, Future. Fo Guang University, Ilan, Taiwan. “From Death to Cosmic Life: On Lessing’s The Making of the Representative for Planet 8.” (2017/11)

  9. Cheng, Ju-yu. The 5th International Deleuze Studies in Asia, Conference in Singapore 2017. Theme: Desiring-Machines, Singapore. “Nature and the Human in Hayao Miyazaki's Princess Mononoke: Reconceptualizing Contemporary Ecology via Deleuze and Guattari's Ecophilosophy.” (2017/06)

  10. Cheng, Ju-yu. The 24th Annual Conference of the English and American Literature Association. Theme: Backward Glances: History, Time, Memory., 

  11. Hsinchu, Taiwan: “Diving and Surfacing as a Self-Healing Process in Margaret Atwood’s Surfacing.” (2016/10)

  12. Cheng, Ju-yu. International Deleuze Studies in Asia The 4th Conference, Seoul, South Korea:“Affect and The Virtual in Wei Te-Sheng’s Kano.” (2016)

  13. Cheng, Ju-yu. 38th Comparative Literature Conference, Tunghai University, Taiwan: “From Self-Mutilation to Self-Creation: Repetition and Difference in Paradise.” (2016)                    

  14. Cheng, Ju-yu. 2016 NIU Conference on Western Literature, Applied Linguistics and TESOL, Ilan, Taiwan: “Chaosmos in Le Guin’s Dispossessed.” (2016)

  15. Cheng, Ju-yu. ATIS 2015 Conference at National Chung Hsing University, Taichung, Taiwan: “Ecological Time in Hayao Miyazaki’s Nausicaä of the Valley of the Wind.” (2015/10)

  16. Cheng, Ju-yu. 36th Comparative Literature Conference: “Divine Madman from HellMad/Sacred Space in Doris Lessing’s Briefing for a Descent into Hell.” (2014/5)

  17. Cheng, Ju-yu. The Second International Deleuze Studies Conference at Cologne University, Germany: “The Folding and Unfolding Monad in Doris Lessing’s Shikasta.” (2009/8).

  18. Cheng, Ju-yu. The First International Deleuze Studies Conference at Cardiff University, Wales, UK: “Becoming-Other in Doris Lessing’s The Golden Notebook.” (2008/8)

  19. Cheng, Ju-yu. 2007 International Conference, Cultural Memory and Social Innovation: The Interlocution between Asia and World in National Sun Yat-sen University, Taiwan,  “Molecular Becoming in Salman Rushdie’s Midnight’s Children.” (2007/10).

  20. Cheng, Ju-yuGender Unbound: An international, inter-disciplinary conference in the area of law, gender, and sexuality at Keele University, Staffordshire, UK: “Écriture Féminine in Toni Morrison’s Paradise: From Self-Mutilation to Self-Emancipation.” (2007/7).

  21. Cheng, Ju-yu. British Comparative Literature Association XI International Conference “Folly”: “The Deleuzian Rhizosphere: Jason, Quentin, and Benjy in William Faulkner’s The Sound and the Fury” (2007/7).

  22. Cheng, Ju-yu. 31th Comparative Literature Conference: “Molecular Becoming in the West and the East: Deleuze and the Consciousness-only (Yogacara) School of Buddhism” (2007/5).

  23. Cheng, Ju-yu. The Second International Doris Lessing Conference: Doris Lessing: Nation, Politics, and Identity. “The Dynamic Choreography of Mandala as a Healing Process in Doris Lessing’s Shikasta.” (2007/7)

  24. Cheng, Ju-yuThe XVIIIth Congress of the International Comparative Literature Association (ICLA) in Brazil. “Transcending Binarism: Difference and Identity” (2007/7)

  25. Cheng, Ju-yuMCR 2006 Conference: “Remembering the Ancestor and the River Goddess as a Healing Process in Toni Morrison’s Beloved.” (2006/10)

  26. Cheng, Ju-yu. 2006 Association for Cultural Studies Crossroads Conference at İstanbul Bilgi University: “The Lacanian Subject and the Deleuzian Subject.” (2006/7)

  27. Cheng, Ju-yu. 30th Comparative Literature Conference: “On Subjectivity in Deleuze’s The Fold” (2006/5)

  28. 鄭如玉,〈微觀與宏觀的摺疊:劉慈欣《球狀閃電》中的量子幽靈與後生命〉, 2021《第二十九屆英美文學國際學術研討會》會議主題:非物質,臺灣師範大學。(2021-10/30)

  29. 鄭如玉,〈吳明益《複眼人》中的創傷與創生記憶〉第四十三屆中華民國比較文學學術研討會「綠異想」,台東大學。(2021-06/5)

  30. 鄭如玉,〈梁璇《大魚海棠》中的劫/結與自然觀〉, 2021台灣女性學學會研討會,台灣大學。(2021-10/2)

  31. 鄭如玉,〈瑪格麗特·愛特伍《浮生錄》中的晶體影像與偽造的力量〉, 2020 台灣女性學學會「瘟疫、邊界政治與台灣共同體」年度學術研討會,成功大學。(2020-09/26)

  32. 鄭如玉,〈災難紀元與應接性網路論劉慈欣的《微紀元》與《人和吞食者》〉。「人文之『後』國際研討會:2019台灣人文學社年會」。(2019/11/23-24)

  33. 鄭如玉。〈從簡圖到唯識:徐冰《天書》中的文字宇宙〉。「翻譯德勒茲:德勒茲思想的翻譯、轉化與創造」。中央研究院中國文哲研究所。(2019/10/3-4)


其他

  1. “Wei Te-Sheng’s Kano: A National Allegory and a Story about Baseball.” Taiwan Insight. 2019/10/23. The Taiwan Studies Programme (TSP) at the University of Nottingham.

  2. 台灣人文學社通訊電子報第 12  (2018 秋季刊〈《KANO》與潛態〉

更新時間:2025/10/24 上午 09:27:57